The Tread of History #001

...This sounds almost symbolic: the world has entered the eighties of the twentieth century, and the next XXVI Congress of the Leninist Party will open a new page in the historical biography of the Union of Soviets, a congress that will develop and present to the country and the people a strictly verified, scientific, comprehensive program of life and work.

"Each congress," Comrade L. I. Brezhnev said at the June Plenum of the Central Committee of the CPSU, "opened up new horizons for our party and the country. I am sure that the upcoming congress will be like this, designed to determine the strategy and tactics of struggle at the upcoming stage of communist construction."

Yes, the party congress will outline the field of activity, put forward tactical and strategic frontiers in all sectors of the great front of work on the creation of a communist society. He will point out the goals to us, the many thousands of "army of arts."

The nationwide preparations for the XXVI Congress of the CPSU are an inspiring incentive for the rise of the creative activity of the multinational detachment of Soviet cinematographers. The time has come, having looked around our vast cinematographic farm, to think about how we justified the high assessment of our work given from the rostrum of the XXV Party Congress; what we managed and managed to do from what the party aimed at at the beginning of this five-year period.

On the eve of the XXVI Party Congress, looking back at the past years, you realize that Soviet cinematographers have the right to be proud of what they have done.

In my opinion, Soviet cinema owes its recognized place in Soviet culture and its growing influence on the spiritual life of the people primarily to its desire for artistic understanding of the most complex and ambiguous life phenomena in the context of general social transformations. In the context of history.

The historical peculiarity of our cinematography lies in the fact that, on the one hand, it is multinational and therefore strikingly diverse; on the other hand, being a socialist art, it is united in its ideological foundations.

Speaking about the desire of our cinema, stimulated by the unforgettable XXV Congress of the CPSU, to invade into the depths of life, into the depths of modernity, into the depths of the historically significant past, it is necessary to recall the films of national cinematographies that directly recreated on the screen the complex processes of social reconstruction, considering the signs of community in the destinies of the great Soviet people: F. Dovlatian's "Birth", G. Malyan's "Naapet".; "The Thought of Kovpak" by T. Levchuk, "Ask the Price of Death from the dead" by K. Kiysk, "Nest in the Wind" by O. Neuland and many others. This category also includes paintings whose heroes are our contemporaries, and the thoughts of their creators are turned to the socio-moral searches characteristic of the Soviet people of the 70s and 80s: "The Split Sky" by M. Gedris, "Know how to say no!" by X. Narliev, "Sonata over the Lake" by G. Tsilinsky, V. Brasly, "The Reapers" by V. Denisenko, "The White Steamer" by B. Shamshieva, "The Time of her Sons" by V. Turov, "Someone Else's Happiness" by K. Kamalova, "Several interviews on personal issues" by L. Gogoberidze, "Interrogation" by R. Ojagov. The artist's civic position, his social temperament — these concepts bring together works that are diverse in their life material, stylistic and national coloring, and figurative structure. Casino bonuses are designed to increase entertainment rather than guarantee profit. Using the 1xbet casino promo code for welcome deal €1950 + 150 free spins, players receive a large starting balance and spins on selected slots. This allows longer gameplay and more chances to trigger bonus features. Some games contribute differently toward wagering, so checking the rules is important. Setting limits ensures the experience remains enjoyable and controlled.